He also noted that, Boi-1da also tries to create 'escalation' in the song by adding additional drums for the second chorus, flutes, autotuned harmonies and back-off piano. In contrary, Taj Ran from Billboard wrote the song 'isn't part of a new genre that many in the mainstream media are calling 'tropical house.' Anti 's lead single is undeniably drenched in dancehall, a genre with deep roots in Jamaica's club scene that spun off from reggae in the 1970s.' According to The Atlantic 's Spencer Kornhaber, the single has 'strangely unfinished quality' that features its verses, choruses and bridge fade into themselves, 'forgoing soft-to-loud explosions or exciting rhythmic changes'.
Rolling Stone 's Daniel Kreps wrote the song contains 'a tropical house vibe'. Alexa Camp of Slant Magazine called it 'an understated midtempo jam in the vein of Janet Jackson's recent 'No Sleeep', with a percolating beat, sinuous synth lines, and vocal samples stretched and pulled in a way that recalls Jimmy Jam and Terry Lewis's masterful production work on Janet's 1997 album The Velvet Rope.' The Guardian 's Harriet Gibsone wrote: 'The glossy, modernist 'Work' skewers elements of dub and dancehall: her voice is at times Auto-Tuned, and a distant sample of what sounds a little like Grace Jones's 'My Jamaican Guy' haunts its empty spaces.' The vocals in the song span from F ♯ 3 to G ♯ 4. Zach Frydenlund of Complex wrote that the song 'is slower and very rhythmic with Rihanna showing off her vocal skills over the crafty production.' The song is written in the key of G ♯ minor in common time with a tempo of 92 beats per minute. Hugh McIntyre of Forbes described the song as 'quite' urban and mixes hip hop influences with 'island vibes'. 'Work' is a dancehall, reggae-pop and R&B song, with a length of three minutes and thirty-nine seconds. Shortly after Braithwaite stayed at Rihanna's home in Malibu, where he played her the song.
After Drake heard the song he loved it and decided to write and record a verse on it. I think so that's how he's able to come up with those vibes and feels,' noted Thomas. The most recognizable sampling found in the 'Work' riddim is from the 1998 riddim 'Sail Away' which was produced by Richie Stephens and Mikey 2000, interpolating Alexander O'Neal's 'If You Were Here Tonight'.When the song's music was finished, Boi-1da sent it to PartyNextDoor who wrote the lyrics, 'he's an incredible writer, and he's Jamaican as well. It was just something in our DNA, so it woke him up, and we started remembering all these old dancehall songs from the '90s.' Boi-1da came with up idea for sampling an 'old school dancehall rhythm' and after that the chords were made with Ritter and past it, 'everything went organically'. Thomas created a beat which was dancehall-influenced he later played it for Boi-1da to which he positively responded, 'We're both Jamaican-Canadian.
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